Thursday, March 30, 2006

The Forge
by Seamus Heaney


All I know is a door into the dark.
Outside, old axles and iron hoops rusting;
Inside, the hammered anvil’s short-pitched ring,
The unpredictable fantail of sparks
Or hiss when a new shoe toughens in water.
The anvil must be somewhere in the centre,
Horned as a unicorn, at one end and square,
Set there immoveable: an altar
Where he expends himself in shape and music.
Sometimes, leather-aproned, hairs in his nose,
He leans out on the jamb, recalls a clatter
Of hoofs where traffic is flashing in rows;
Then grunts and goes in, with a slam and flick
To beat real iron out, to work the bellows.


1969



The opening line of this poem hails a supernatural and eerie place that beckons further reading of the poem. This line achieves its purpose as a first line to incite curiosity and questions, urging the reader to continue in order to find what answers lie ahead. The word “dark” has many negative and mysterious connotations; the placement of such a powerful word behind a door which promises to be opened attests to Heaney’s ability to subtly evoke resonance.
Not only has Heaney constructed the shape and the visual setting of an anvil, but he has also re-imagined the smells, sounds and tactile impressions of the experience inside a blacksmith’s shop. The shop is the “dark” of the first line; it is also a place that is no longer necessary for modern life: for instance, we no longer depend on horses’ hooves or wrought-iron nails. “Dark,” then, could refer to the unreachable past as well as the blackness of the anvil, the iron, and the soot of the shop.
Heaney chose to use the first person pronoun “I” in the first line, although the central character in the poem is only referred to as “he.” Easily, the reference in the first line could also have been “he,” which would have tied the poem together tightly. However, Heaney has consciously created a second character, an observer to the blacksmith; the reader is fully aware that there is one character here, observing another. The tone of the character, who apparently only knows the “door into the dark,” is sympathetic and attentive to the blacksmith to such an extent that I venture to assume that this character might be a child, perhaps even the blacksmith’s son.
If I read the poem as homage to a father figure we can also see the anvil as a symbol of an unreachable heritage, a tradition that the observer is not able to perpetuate because of the modernization of such aspects in society as transportation. The poem can be read as elegy to the past, and a lament to the lost tradition of the blacksmith. The anvil is constructed as an altar, and the blacksmith is beating out “real iron,” (my emphasis) which the world in 1969, when this poem was written, has no need for.
In one of the many other ways of reading this poem, the blacksmith figure could also be a construction of the role of the poet as one who opens “door[s] into the dark,” “expends himself in shape and music,” and who grunts and flicks words and language, forging his poems.

13 Comments:

At 9:14 AM, Anonymous heather said...

Susie, I really like this poem. I hadn't read it before, but now I'm going to hunt it down in my anthology(ies) . . . I love that evocative opening line: "All I know is a door into the dark." With a period as punctuation, for finality.

I think I'd go with the final reading you presented . . . that the forge is about poetry-writing. The "sparks" and "hiss" of the new poem toughening resonates with me. Though, because he references the past, it could just as well be about the days of smithys (smithies?) and unicorns . . . although, when did they coexist? :-)
Actually, the "Horned as a unicorn" is probably my least favourite image in the poem. Probably because I remember porcelain rainbow-bounded unicorns from my childhood days. Ugh . . . with purple unicorn posters, pink unicorn posters, blue stuffed unicorn plushy toys . . . you get the idea.

The blacksmith leaning against the window (effortlessly described as leaning "out on the jamb") is probably my favourite moment. It is cinematic, in a way, but I mostly like it because it leads into the three greatest lines ever (yes, that is hyperbole I'm making use of there): "traffic flashing in rows" "grunts and goes in, with a slam and flick / To beat real iron out." Delicious.

 
At 8:54 PM, Blogger Brian "Ayavaron" Jeffrey Ross II said...

The poem is obviously a metaphor for a dude banging a chick.

 
At 7:09 PM, Anonymous Anonymous said...

This is a terrible explication.

 
At 2:47 PM, Anonymous Anonymous said...

stick w/ the poetry writing b/c the driving technique of this poem is an extended metaphor (blacksmith's work=poetic creation).
but then what's the point of the poem? sure, he's creating poems but that doesnt mean anything.

 
At 7:24 AM, Anonymous Anonymous said...

This poem is definetly focused on poetic inspiratiom and where ideas come from.The door into the dark may represent the poets mind with the sparks representing theae ideas.Brilliant poem withiut a shsdow of a doubt.

 
At 11:49 AM, Anonymous Anonymous said...

Shit analysis

 
At 11:25 AM, Anonymous Anonymous said...

Lol

 
At 11:41 AM, Anonymous fuckmyass said...

this is stupid doenst even post the time right

 
At 12:09 PM, Anonymous Anonymous said...

WHATS THE BIG DEAL ABOUT SEAMUS HEANEY. ALL HE DID WAS WRITE A FEW POEMS!

 
At 12:17 PM, Anonymous Anonymous said...

Lol poems are very dull and boring :3 i'm a troll and a half yus indeed i'm insane but not insane enough to be insane :3 i'm irish woot :3

 
At 10:52 PM, Anonymous Anonymous said...

It actually is. :)
- B.A. in English

 
At 6:43 AM, Anonymous Anonymous said...

Nobody cares
- PhD in your ma

 
At 5:28 AM, Anonymous Anonymous said...

Vagina.

 

Post a Comment

<< Home